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ANNABELLE AGBO GODEAU AND RIKE DROESCHER

 

ART-O-RAMA MARSEILLE

29 – 31 AUGUST, 2025

FRICHE LA BELLE DE MAI

41 RUE JOBIN

13003 MARSEILLE

FRANCE

Installation view of Alice Amati, London at Art-o-rama Marseille 2025 � Photo Gabriele Abb

Alice Amati is excited to present a two-person booth for Art-o-rama, featuring works by Düsseldorf-based artists Annabelle Agbo Godeau (b. 1995) and Rike Droescher (b. 1990). Both graduates of the Kunstakademie Düsseldorf, they share a deep interest in material experimentation and in crafting visual narratives that exist at the intersection

of personal and cultural histories.

Working across painting, works on paper, and installation, Agbo Godeau constructs fragmented narratives that resist resolution, employing visual metaphors of concealment, revelation, and transformation. Through layered and meticulous processes, she isolates details from archival materials, film stills, photographs, and found imagery, abstracting them into new contexts that invite viewers to reconsider their assumptions and associations. This becomes particularly evident in her works on transparent waxed paper, which – when configured into larger installations, bring together disparate references to create collage-like storyboards. These compositions balance narrative and openness, evoking both specific moments and broader temporal sequences.

Rike Droescher’s hand-stitched embroideries and sculptures reproducing ordinary objects through the use of organic material such as wax, clay, and wood, explore the correlation between ancestral archetypes and the contemporary world. Her works craft unexpected narratives that intertwine the mythological with the familiar, transforming

seemingly fragmented moments into explorations of human origins, stories, and desires. By assembling disparate elements, she creates layered works that function as a memory box or survival kit for navigating the complexities of life in today’s fractured world.

Working across different mediums, both artists employ a process of reconfiguring found references in unexpected ways. Rather than offering a prescribed, fixed reading, their works invite reflection on how we shape—and are shaped by—our surroundings, as well as on the enduring impact of history on the present and our understanding of the self.

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